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“... in his lifetime. Two volumes of his letters had appeared by 1991, and the publication of Stephen Cooper’s biography more or less completes the picture, at least for the time being. Much of the credit for this must go to Fante’s indefatigable widow, whose stewardship of his reputation has played a very large part in the continuing campaign ...”

“... Stephen Spender was a visitor to the city of Hamburg both before the war and after, when he played a part in the work of occupation and recovery. He was well on his way to being the noted ex-communist poet, whose lyricism of the left spoke up in praise of pylons and the landing aeroplane, gliding over the suburbs, ‘more beautiful and soft than any moth ...”

“... an immediate response of love or horror, then neither does rationality or human welfare,’ Stephen Clark has observed. To take sentiments in this respectable sense seriously is not to worry about how to circumvent them, but to reflect on the conception intimated by them of human beings’ proper relation to the world. What is intimated by the ...”

“... to convey it. But the restless contemporaneity of her vision makes a stark contrast with William Cooper’s impeccable Scenes from Metropolitan Life, written in the 1950s but held back from publication up to the present day for legal reasons. Cooper’s work, falling between the celebrated Scenes from Provincial Life and ...”

“... as a proto-environmentalist. He sidesteps recent reassessments of the later verse, including Stephen Gill’s argument in Wordsworth’s Revisitings (2011) that the revised Prelude of 1850 was much more than a damage-limitation job on a heretical original text. Similar arguments animate the richly revised second edition of Gill’s biography (the first ...”

“... dominant, or most recurrent, styles in American writing have been the rhapsodic and the paranoid. Stephen Fender’s excellent book points directly to what we might call the organising ambiguity of American literature by bringing together in his title ‘plotting’ and the ‘West’. A specific geographical West, to be sure – his (superbly annotated) book ...”

“... a menu of ‘Primary Colors Specials’, including Lasagne di Paul Begalanese and Pork Chop George Stephen-applesauce. There’s a copy prominently displayed in the new books section of the White House library, and 742,000 have been shipped to bookstores to meet the demand. It’s number one on the New York Times bestseller list; North American paperback ...”

“... An appeal, you might think, is an argument that a lower court has got it wrong. Whether you would consider it to be ‘a piece of linguistic shorthand which accepts the existence of a penumbra of uncertainty in order to achieve universal comprehensibility at a very low level of exactitude’ is more doubtful; but what these authors seem to have in mind is that even a right of appeal doesn’t necessarily allow you to challenge everything that has happened so far ...”

“... lived in at least thirty parts of the United States, not to mention Cuba, Paris and the Riviera. Stephen Crane’s birthplace is now a children’s playground in New Jersey, William Faulkner’s a Presbyterian parsonage. The Oxford Illustrated Literary Guide to the United States, from which these titbits come, provides further unwitting refutations of its ...”

“... where he corresponds with wealthy, witty ladies (Mitford takes turns with Ann Fleming and Diana Cooper) who keep him au fait with the doings of vile bodies in the world from which he has withdrawn. The postal service is so good that a letter from Mitford in postwar Paris telling of the latest liaison dangereuse can be on his desk the next day. She is not ...”

“... Rory and Alastair had only met once, at a garden party hosted by the right-wing Remainer Labour MP Stephen Kinnock, but, phew, they hit it off. In fact, they were so happy bashing Boris together that when he resigned six months into the podcast, they wondered whether they could continue. When there’s a danger of disagreement, Rory likes to say ‘Hmm, very ...”

“... of all his imaginary friendships – with Errol Flynn and Louella Parsons, Hedda Hopper and Gary Cooper – and the only thing he craved in those Pittsburgh days was the chance to be as lovable as Shirley Temple. The adult Warhol looked as much like death and lived as much by desire. A mobile presentation of 20th-century estrangement. A man in a wig in a ...”

“... a Munnings horse, the discretion of a Nicholson relief, the fresh-as-paint prettiness of a Susie Cooper teapot, the housewifely amateurishness of an Omega Workshops painted table, the wit of a Shell poster: to chuck exclusive theories overboard. The makers could not; perhaps historians now can. Fifty years should be about the time it takes for the ...”

“... Hawks had never worked with Bogart before; his favourite actors had been Cary Grant and Gary Cooper. But he understood that To Have and Have Not would be a Bogie picture. He had an idea that the romantic interest might be a girl half Bogart’s age, somehow stranded in Martinique, but living on her wits and dressed in cool clothes, with a precocious ...”

“... cargoes); it is still possible to work aloft as a topman, encountering many of the same dangers as Stephen Taylor’s subjects did – but few of those who write about seamen have ever gone aloft on a dirty night to lay out on a yard and hand sail. There is at least one modern authority (Sam Willis) who deliberately went to sea in square rig to learn the trade ...”